Wes Osborne

Vox Clamantis inter Fabulam et Machinam

Notes from a Bifurcated Mind

Ah, now this—this is where the rot set in early. I launched myself, if you can call it that, with all the recklessness of a young man holding a match in one hand and a map to nowhere in the other. An Artium Baccalaurei, yes, as if Latin could confer gravitas upon my foolishness. A double-major, no less. In one hand, the strict geometry of Computer Science; in the other, the unruly fire of Literature and Creative Writing. It wasn’t ambition. It was indecision wearing a very clever hat.

Had I been in therapy—as I plainly should have been—some solemn, cardigan-clad clinician might have murmured something about overcompensation, identity diffusion, or the unspoken trauma of early academic achievement. But I had no time for that. I had recursion to master and sestinas to compose.

You see, I believed—fervently, idiotically—that if one path betrayed me, the other might still embrace me. That if the cold machinery of code refused to sing, perhaps the music of metaphor would save me. Or vice versa. An escape hatch in either direction.

And yet—listen closely now—I do not regret it.

Because something strange happened, something I only understand now in the firelight of these later years: the paths began to converge. Poetry sharpened my programming. Algorithms taught me narrative structure. I found symmetry in sonnets, tension in threads, and that rare satisfaction when both the line and the logic resolve with elegance.

It is a privilege, perhaps the only one I truly claim, to think in both symbols and syllables. To create not just systems, but stories. Not just stories, but systems of meaning.

And so, if you find yourself caught between domains—between that which pays and that which sings—know this: it is not madness. It is a difficult gift. Use it well.

Now go on. You’ve spent too long listening to an old man whisper into the smoke. Go write something that matters—or build something that might.